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	<title>ArtChaology</title>
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	<link>http://www.artchaology.com</link>
	<description>The Intersection of Art, Technology and Nature</description>
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		<title>CityEngine available for Mac</title>
		<link>http://www.artchaology.com/2009/01/cityengine-available-for-mac/</link>
		<comments>http://www.artchaology.com/2009/01/cityengine-available-for-mac/#comments</comments>
		<pubDate>Fri, 02 Jan 2009 17:45:42 +0000</pubDate>
		<dc:creator>artchaologist</dc:creator>
				<category><![CDATA[architecture]]></category>
		<category><![CDATA[3d modeling]]></category>
		<category><![CDATA[design]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[virtual reality]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.prweb.com/releases/Procedural/CityEngine_Launch/prweb1755764.htm</guid>
		<description><![CDATA[          <P>Procedural Inc&#039;s outstanding city creation software CityEngine now available for Mac and Windows 64-bit. Free 30-day trial version comes with examples such as a spectacular future vision of the Big Apple. (PRWeb Dec 17, 2008)</P>
        <P>Read the full story at <a href="http://www.prweb.com/releases/Procedural/CityEngine_Launch/prweb1755764.htm">http://www.prweb.com/releases/Procedural/CityEngine_Launch/prweb1755764.htm</a></P>
    ]]></description>
			<content:encoded><![CDATA[<p><div class="imagecaptioneasy imagecaptioneasy_top_ft size-full wp-image-112" style="auto;"><img class="alignleft size-full wp-image-112" title="CityEngine by Procedural" src="http://www.artchaology.com/wp-content/uploads/2009/01/cityengine.jpg" alt="CityEngine by Procedural" width="654" height="390" /><br style="clear:both" /><div style="margin:0px;max-width:654px;">CityEngine by Procedural</div></div>Procedural Inc. announced that their 3D city generation software CityEngine is now also available for Mac OS X and Windows 64-bit. In addition, the free 30-day trial version of the CityEngine comes now with stunning example cities such as a spectacular future New York City.</p>
<p>Procedural Inc., an innovative software company located in Zurich, is home to the world&#8217;s foremost procedural modelling technology. With the CityEngine, Procedural Inc.&#8217;s graphics experts have created a radically different 3D application that allows professional users in entertainment, architecture and urban planning to efficiently model 3D cities.<br />
<span id="more-104"></span><br />
&#8220;We are happy that our Mac friends are now able to benefit from the huge advantages of the CityEngine,&#8221; says Pascal Mueller, CEO Procedural Inc. &#8220;To celebrate it, we created Apple City consisting of thousands of Cupertino headquarters. So in case Mr. Jobs intends to rebuild Cupertino, he has now the tool to plan it on his new MacBook.&#8221;<br />
The CityEngine software provides professional users in entertainment, architecture, urban planning and general 3D content creation with a unique early design and modeling solution for the efficient vizualisation of urban 3D environments.</p>
<p>The capabilities of the CityEngine include:</p>
<p>Procedural Street Network Construction</p>
<p>The CityEngine offers unique street grow tools to quickly design and construct urban layouts. Street patterns such as grid, organic or circular are available and the topography of the terrain is taken into account.<br />
<br />
Import of Street Networks or Lots</p>
<p>Real street networks of any city in the world can be imported from OpenStreetMap. This allows for a quick generation of existing urban surroundings. Furthermore street networks or lots designed in other programs can be imported via the DXF file format. Watch movie&#8230;</p>
<p>Scripting 3D Buildings</p>
<p>The world&#8217;s first shape grammar implementation is the core of the CityEngine. The simple scripting language is specialised for architectural 3D content and offers unlimited modeling possibilities to control or vary mass, elements, proportions, rythms or materials.</p>
<p>Parametric Modeling of 3D Buildings</p>
<p>A convenient interface to control specific building parameters such as the height or age is provided. Parameter modifications invoke the automatic regeneration of the 3D model with all architectural elements correctly aligned.</p>
<p>Parametric Modeling of 3D Streets</p>
<p>Similar to the buildings, street appearances can be controlled via a parametric interface, resulting in immediate visual feedback. For example, the profiles of streets can be quickly edited.</p>
<p>Map-Controlled City Modeling</p>
<p>The parameters of the many buildings and streets can be controlled globally via image maps (for example the building heights or the landuse-mix). This allows for intuitive city modeling and quick changes.</p>
<p>Batch Export of 3D Models</p>
<p>The CityEngine has very advanced functionalities to export generated models to any kind of production pipeline. Supported file formats include Collada, FBX, OBJ, RIB and mental images&#8217; MI.</p>
<p>Procedural&#8217;s website: http://www.procedural.com/</p>
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		<title>One Thousand and One Dreams</title>
		<link>http://www.artchaology.com/2009/01/one-thousand-and-one-dreams/</link>
		<comments>http://www.artchaology.com/2009/01/one-thousand-and-one-dreams/#comments</comments>
		<pubDate>Fri, 02 Jan 2009 02:09:53 +0000</pubDate>
		<dc:creator>artchaologist</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Alaoui]]></category>
		<category><![CDATA[christinaked]]></category>
		<category><![CDATA[guerra]]></category>
		<category><![CDATA[nude photography]]></category>
		<category><![CDATA[one thousand and one dreams]]></category>

		<guid isPermaLink="false">http://www.artchaology.com/?p=57</guid>
		<description><![CDATA[Photo Courtesy of Yasmina Alaoui and Marco Guerra Rarely does digitally enhanced photography entrance the viewer the way Yasmina Alaoui and Marco Guerra&#8217;s work does. In their life-sized photographic series &#8220;One Thousand and One Dreams&#8221;, statuesque bodies appear frozen in time, covered completely in meticulously detailed, contemporary Arabic henna patterns. The effect is transcending, drawing [...]]]></description>
			<content:encoded><![CDATA[<p><div class="imagecaptioneasy imagecaptioneasy_top_nowrap" style="auto;"><img class="size-full wp-image-58" title="Alaoui/Guerra" src="http://www.artchaology.com/wp-content/uploads/2009/01/yasmina-yasco.png" alt="Photo Courtesy of Yasmina Alaoui and Marco Guerra" width="475" height="594" /><br style="clear:both" /><div style="margin:0px;max-width:475px;">Photo Courtesy of Yasmina Alaoui and Marco Guerra</div></div></p>
<p>Rarely does digitally enhanced photography entrance the viewer the way Yasmina Alaoui and Marco Guerra&#8217;s work does. In their life-sized photographic series &#8220;One Thousand and One Dreams&#8221;, statuesque bodies appear frozen in time, covered completely in meticulously detailed, contemporary Arabic henna patterns. The effect is transcending, drawing the viewer delicately and gracefully into each form.</p>
<p>Alaoui and Guerra were recently winners in the Christiania Arts Foundation&#8217;s &#8220;The New Classic Nude&#8221; Second Edition. Each artwork begins with a black and white nude photograph by Guerra. Layers of Alaoui&#8217;s complex ink drawings are then digitally fused with the protrait, with breathtaking results.<br />
<span id="more-57"></span><br />
Originally from Chile and Morocco respectively, the couple were inspired by the Thousand and One Nights &#8211; a legendary collection of tales from the Middle East &#8211; and the magic realism of South American literature.</p>
<p>Guerra was a fashion photographer for magazines including Conde Nast Traveler, Harper&#8217;s Bazaar and Vogue. His personal work revolves around the mysteries of women and love, and sensual exoticism.</p>
<p>&#8220;I developed the drawing style of One Thousand and One Dreams in my early teens, even before I studied art.&#8221; explains Alaoui. &#8220;The patterns were inspired by Islamic caligraphy, henna drawing and primitive naive art. The eye pattern that pops up frequently, for example comes from the &#8216;evil eye,&#8217; which symbolizes protection from bad thoughts.&#8221;</p>
<p>The illusion is that the bodies are actually painted then photographed, which would be almost painstakingly impossible. Instead, Alaoui uses the nude photo&#8217;s lines as inspiration to create an original drawing using chinese ink and watercolor.  The style and mood of the photo dictate the color and styles she chooses.<br />
<br />
Christiania Arts Foundation website: <a title="Chrstiania Arts Foundation" href="http://www.christinaked.com/" target="_blank">http://www.christinaked.com/</a></p>
<p>A Thousand and One Dreams website: <a title="A Thousand and One Dreams Website" href="http://www.onethousandandonedreams.com/" target="_blank">http://www.onethousandandonedreams.com/</a></p>
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		<title>Enhanced Environments</title>
		<link>http://www.artchaology.com/2009/01/enhanced_environments/</link>
		<comments>http://www.artchaology.com/2009/01/enhanced_environments/#comments</comments>
		<pubDate>Thu, 01 Jan 2009 17:07:08 +0000</pubDate>
		<dc:creator>artchaologist</dc:creator>
				<category><![CDATA[Complex Media]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[dynamic environments]]></category>
		<category><![CDATA[emergent virtual life forms]]></category>
		<category><![CDATA[enhanced environments]]></category>
		<category><![CDATA[virtual eco systems]]></category>
		<category><![CDATA[virtual life]]></category>
		<category><![CDATA[virtual reality]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://www.artchaology.net//?p=1</guid>
		<description><![CDATA[Enhanced Environments is a new method for using real-time information to support large-scale, climatic virtual environments that foster virtual life and natural behavioral conditions.]]></description>
			<content:encoded><![CDATA[<p><div class="imagecaptioneasy imagecaptioneasy_top_ne size-full wp-image-14" style="auto;"><img class="alignnone size-full wp-image-14" title="Virtual Snowshoe developed 1997~2001" src="http://www.artchaology.com/wp-content/uploads/2009/01/vsnowshoe.jpg" alt="Virtual Snowshoe developed 1997~2001, Virtual Systems Lab, Gifu University, Gifu Japan" width="649" height="343" /><br style="clear:both" /><div style="margin:0px;max-width:649px;">Virtual Snowshoe developed 1997~2001, Virtual Systems Lab, Gifu University, Gifu Japan</div></div>Enhanced Environments is a new method for using            real-time information to eventually support large-scale, climatic virtual            environments that foster virtual life and natural eco-behavioral conditions.            The purpose of this research is to create an enhanced environment where            the hydrological conditions and the real user are integrated into an            immersive, real-time eco system. For this research experiment, we customized            available GIS satellite, terrain, and photography data to construct            a highly accurate, large-scale virtual environment. Next a web-based            climatic collection system was developed to persistently collect real            time weather information for the physical area being modeled. Finally            an Enhanced Environment Module was created to support a &#8216;living&#8217; virtual            eco-system supporting real-time climatic conditions. This type of enhanced            environment lays the groundwork for creating dynamic environments that            integrate the behavioral patterns of climate, artificial life, user            interactions and their complex interrelationships within a dynamic virtual            world.</p>
<p><span id="more-1"></span></p>
<p class="basefont">The questions being explored in this research            are:</p>
<p class="basefont">1. Can we use real-time streaming data in dynamic            virtual environments?</p>
<p class="basefont">2. Does it have Utility, or, is streaming data useful            in controlling various functions within dynamic virtual environments?</p>
<p class="basefont">3. Can data integrity be maintained and still be meaningful            to the user?</p>
<p class="basefont">Rapid advances within the GIS/ Visualization Simulation            industry have developed complex and rich real-time environments or modeling            and simulation of large-scale virtual environments. In parallel, there            is deep exploration within the artificial life community to develop            virtual life and worlds that exhibit simulated living traits. From the            Computer graphics industries, high resolution, highly accurate work            is being done to create stunningly beautiful virtual environments with            realistic rendering. The Gaming industry has also been developing high            computing performance, realistic world building, artificial life behavior,            massive multi-user networks and high-action immersive role-play. Unfortunately,            little cross-integration has been done between these strands as the            technical hardware/software requirements, computational overheads demanded            by each, and the wide application focus has promoted separate development            paths. Yet recently there have been hybrid development styles emerging            that promote this integration. This new type of &#8216;hybrid integration&#8217;            across previously separate disciplines brings new questions, solutions            and problems.</p>
<p></p>
<p class="basefont">Mainly the focus of this new hybrid technology usage            is the &#8220;Electronic Battlefield&#8221;, or synthetic environments            that simulate a wartime battlefield situations. SEDRIS (Synthetic Environment            Data Representation and Interchange Specification) environments tend            to be large scale, low resolution with an expensive overhead in hardware            and software. Its complexity and depth has grown quite quickly since            1994 in the areas of GIS, terrain simulation, hydrology, modeling, distributed            database and massive multi-user environments. Other solutions do exist            to support this style of synthetic environments and Large Scale Visualization            Industry, yet the research is primarily focused upon simulation and            visualization representation of specific environmental conditions, with            little or no emphasis upon a persistent, complex evolvement of an eco-system            style virtual environment.</p>
<p class="basefont">Another major problem of the current generations of            virtual environments is that they are still not connected or determined            in any way to other sources of &#8220;living dynamic energy.&#8221; It            does not provide the continual change that real life forms get everyday            from existing in an open system, i.e. the natural environment, food,            outside events, influences, interactions, observance, variance, and            happenings that are seemingly &#8220;by chance,&#8221; yet have some unexplainable            connection to the overall construct of life itself. It also does not            consider biorhythms, which all-natural life is governed by; i.e. moon,            tidal, seasonal, species, and other natural cyclic rhythms.</p>
<p class="basefont">The Questions this research addresses are whether            integrating these technologies together can in fact, yield a highly            immersive, realistic virtual environment that is complex and dynamic,            exhibiting living behavior conditions and ultimately generating the            emergent properties required to create and sustain virtual &#8216;life&#8217; on            a PC-based computer and still retain an acceptable performance ratio.            The focus of this research is not to offer another solution to the already            saturated vis/sim, artificial life, and computer graphics or gaming            industries. Rather, the focus is upon using these existing technologies            in a hybrid style of integration to support highly accurate, large-scale,            climatic eco-systems that can be used to support realistic behaving            environments. This Dissertation will present research performed on this            topic, provide the approaches used, and conclude with an analysis of            the results.</p>

<a href='http://www.artchaology.com/2009/01/enhanced_environments/clearday2/' title='Virtual Snowshoe'><img width="150" height="150" src="http://www.artchaology.com/wp-content/uploads/2009/01/clearday2-150x150.jpg" class="attachment-thumbnail" alt="Virtual Snowshoe" title="Virtual Snowshoe" /></a>
<a href='http://www.artchaology.com/2009/01/enhanced_environments/ac_snow/' title='ac_snow'><img width="150" height="150" src="http://www.artchaology.com/wp-content/uploads/2009/01/ac_snow-150x150.jpg" class="attachment-thumbnail" alt="ac_snow" title="ac_snow" /></a>
<a href='http://www.artchaology.com/2009/01/enhanced_environments/ac_season/' title='ac_season'><img width="150" height="150" src="http://www.artchaology.com/wp-content/uploads/2009/01/ac_season-150x150.jpg" class="attachment-thumbnail" alt="ac_season" title="ac_season" /></a>
<a href='http://www.artchaology.com/2009/01/enhanced_environments/ac_fog/' title='ac_fog'><img width="150" height="150" src="http://www.artchaology.com/wp-content/uploads/2009/01/ac_fog-150x150.jpg" class="attachment-thumbnail" alt="ac_fog" title="ac_fog" /></a>
<a href='http://www.artchaology.com/2009/01/enhanced_environments/vsnowshoe/' title='Virtual Snowshoe'><img width="150" height="150" src="http://www.artchaology.com/wp-content/uploads/2009/01/vsnowshoe-150x150.jpg" class="attachment-thumbnail" alt="Virtual Snowshoe" title="Virtual Snowshoe" /></a>

<p>PUBLICATIONS</p>
<p>May 2002: S.T Refsland, T.Ojika, Enhanced Environments: PC based, real-time            large-scale terrains supporting virtual life and complex climatic behaviors,            Presence Journal, MIT Press, To be published, 2002.</p>
<p>Apr 2000: S.T. Refsland, T. Ojika, Robert Berry, Jr., The Living Virtual            Kinka Kuji Temple: A Dynamic Environment, IEEE Multimedia Magazine,            April-June 2000, Vol. 7, No.2, pp 65-67.</p>
<p>Sept 99: S.T. Refsland, T. Ojika, C. Lattaud, G. Proctor, V. DeLeon,            R. Berry, Using Real-Time Data Streams to Generate Living Virtual Environments,            Proceedings of the 5th Int&#8217;l Conference on VSMM&#8217;99, Dundee, Scotland,            Sept. 99.</p>
<p>Jan 99: Y.Bar-Yam, J.C. Heudin, S. Thrane Refsland, Virtual Great Barrier            Reef. Virtual Worlds, Synthetic Universes, Digital Life, and Complexity,            Perseus Books, MA, Ch.6, pp. 153-179 Dec 1998.</p>
<p>July 98: Scot Thrane Refsland, Takeo Ojika, Tom DeFanti, Andy Johnson,            Jason Leigh, Carl Loeffler, Xiaoyuan Tu. Virtual Great Barrier Reef:            A theoretical Approach towards and Evolving, Interactive VR Environment            Using a Distributed DOME and CAVE System. Distinguished Paper Award,            Virtual Worlds: Lecture Notes in Artificial Intelligence, First International            Conference, VW&#8217;98, Paris, France, pp. 323-336, July 98.</p>
<p>Jan 98: S. Thrane Refsland, Int&#8217;l Society on VSMM (Japan); T. Ojika,            Gifu University, (Japan); R. Stone, VR Solutions Ltd. (UK), Development            of a chaotic environment engine for dynamic virtual world heritage environments.            SPIE, The Engineering Reality of Virtual Reality, San Jose, CA, pp.            302-312 26-29 Jan 1998.</p>
<p>Sept 96: S. Thrane Refsland, Digital Mind, Electronic Earth, Proceedings            of the 2nd Int&#8217;l Conference on VSMM&#8217;96, Gifu, Japan, pp. 171-176, Sept.            96.</p>
<p>Sept 95: S. Thrane Refsland, Organic Techno Art and Technology Series,            Proceedings of the 1st Int&#8217;l Conference on VSMM&#8217;95, Gifu, Japan, pp.            106-111, Sept. 96.</p>
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		<title>Virtual Kinka Kuji</title>
		<link>http://www.artchaology.com/2008/12/virtual-kinka-kuji/</link>
		<comments>http://www.artchaology.com/2008/12/virtual-kinka-kuji/#comments</comments>
		<pubDate>Wed, 31 Dec 2008 21:08:58 +0000</pubDate>
		<dc:creator>artchaologist</dc:creator>
				<category><![CDATA[Nature]]></category>
		<category><![CDATA[complex systems]]></category>
		<category><![CDATA[dynamic environments]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[virtual environments]]></category>
		<category><![CDATA[Virtual Kinka Kuji]]></category>

		<guid isPermaLink="false">http://www.artchaology.net/?p=32</guid>
		<description><![CDATA[Virtual Kinka Kuji, built in 1998Virtual Kinka Kuji was a virtual reality landscape of a famous Japanese temple in Kyoto Japan built in 1998. While the model of the temple was more of a artistic interpretation the research focus was upon creating emergent artificial life within the landscape. Researchers took a game system called &#8220;Unreal&#8221; [...]]]></description>
			<content:encoded><![CDATA[<p><div class="imagecaptioneasy imagecaptioneasy_top_ft size-full wp-image-39" style="auto;"><img class="alignleft size-full wp-image-39" title="virtual kinkakuji" src="http://www.artchaology.com/wp-content/uploads/2009/01/virtualkinkakuji.jpg" alt="Virtual Kinka Kuji, built in 1998" width="215" height="160" /><br style="clear:both" /><div style="margin:0px;max-width:215px;">Virtual Kinka Kuji, built in 1998</div></div>Virtual Kinka Kuji was a virtual reality landscape of a famous Japanese temple in Kyoto Japan built in 1998. While the model of the temple was more of a artistic interpretation the research focus was upon creating emergent artificial life within the landscape.</p>
<p>Researchers took a game system called &#8220;Unreal&#8221; modeled the temple and grounds, then created an artificial life &#8216;firefly&#8217; that would come out at dusk and fly through the forests. Each firefly was connected to an American stock on the NASDAQ market, and depending upon how the stock was performing dictated much of the firefly&#8217;s behavior.<br />
<span id="more-32"></span><br />
The question being explored was simple; &#8220;Could an unpredictable complex system be considered emergent enough to create true artificial life? The stock market had rhythms but never exactly repeatable patterns. Every day was something different. Since the Kinka Kuji virtual environment was connected in real-time to the stock market, it was fantastic to watch the fireflies emerge every night, and exhibit unique and individual traits every time. Yes there were behavioral patterns, but the interesting thing that started to emerge was flocking of fireflies. This meant that stocks did follow sector movements and were heavily affected by them.<br />
<br />
Full paper published by the <a href="http://www2.computer.org/portal/web/csdl/abs/mags/mu/2000/02/u2065abs.htm" target="_blank">IEEE Computer Society, 2000. </a></p>
<p>Citations:</p>
<div class="abstract"><a href="http://portal.acm.org/citation.cfm?id=614666.614975#CIT"><img src="http://portal.acm.org/images/arrowu.gif" border="0" alt="" hspace="10" /></a><span class="heading"><a name="references">REFERENCES</a></span></p>
<table border="0" cellpadding="5">
<tbody>
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<td valign="top"></td>
<td>
<div class="abstract">1</div>
</td>
<td>
<div class="abstract"><a href="http://portal.acm.org/citation.cfm?id=647689&amp;dl=GUIDE&amp;coll=GUIDE&amp;CFID=16326170&amp;CFTOKEN=33196270"> Proceedings of the First International Conference on Virtual Worlds, July 1998 </a></div>
</td>
</tr>
<tr valign="top">
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<td>
<div class="abstract">2</div>
</td>
<td>
<div class="abstract">R. Livi and B. Ciliberto, Forward to &lt;i&gt;Proc. Workshop on Chaos and Complexity,&lt;/i&gt; R. Livi and B. Ciliberto, eds., Institute for Scientific Interchange, World Scientific, Singapore, 1987, pp. vi-vii.</div>
</td>
</tr>
<tr valign="top">
<td valign="top"></td>
<td>
<div class="abstract">3</div>
</td>
<td>
<div class="abstract">T.S. Ray, &lt;i&gt;An Approach to the Synthesis of Life: Artificial Life II,&lt;/i&gt; C.G. Langton et al., eds., Santa Fe Institute Studies in the Sciences of Complexity, Addison-Wesley, Redwood City, Calif. 1991, Vol. 10, p. 371.</div>
</td>
</tr>
<tr valign="top">
<td valign="top"></td>
<td>
<div class="abstract">4</div>
</td>
<td>
<div class="abstract">E.N. Lorenz, &#8220;Deterministic Nonperiod Flow,&#8221; &lt;i&gt;J. of Atmospheric Sciences,&lt;/i&gt; 1963, Vol. 20, pp. 130-141.</div>
</td>
</tr>
</tbody>
</table>
</div>
<p><a href="http://portal.acm.org/citation.cfm?id=614666.614975#CIT"><img src="http://portal.acm.org/images/arrowu.gif" border="0" alt="" hspace="10" /></a><span class="heading"><a name="citings">CITED BY</a><a name="citedby"></a> <em>2</em></span></p>
<table border="0" cellpadding="5">
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<tr valign="top">
<td valign="top"><img src="http://portal.acm.org/images/ACM_mini.jpg" border="0" alt="" vspace="0" width="25" height="24" align="top" /></td>
<td>
<div class="abstract"><a href="http://portal.acm.org/citation.cfm?id=604515&amp;dl=GUIDE&amp;coll=GUIDE&amp;CFID=16326170&amp;CFTOKEN=33196270"> Meehae Song , Thomas Elias , Wolfgang Müller-Wittig , Tony K. Y. Chan, Interacting with the virtually recreated Peranakans, Proceedings of the 1st international conference on Computer graphics and interactive techniques in Australasia and South East Asia, February 11-14, 2003, Melbourne, Australia </a></div>
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</tr>
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<td>
<div class="abstract"><a href="http://portal.acm.org/citation.cfm?id=639027&amp;dl=GUIDE&amp;coll=GUIDE&amp;CFID=16326170&amp;CFTOKEN=33196270"> Scot Thrane Refsland , Takeo Ojika , Robert Berry, Jr., Enhanced environments: large-scale, real-time ecosystems, Presence: Teleoperators and Virtual Environments, v.11 n.3, p.221-246, June 2002 </a></div>
</td>
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</tbody>
</table>
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		<title>Virtual Scylla Virtual Marine Ecosystem</title>
		<link>http://www.artchaology.com/2008/10/virtual-scylla-virtual-reality-and-artificial-marine-life-ecosystems/</link>
		<comments>http://www.artchaology.com/2008/10/virtual-scylla-virtual-reality-and-artificial-marine-life-ecosystems/#comments</comments>
		<pubDate>Wed, 01 Oct 2008 21:19:16 +0000</pubDate>
		<dc:creator>artchaologist</dc:creator>
				<category><![CDATA[Technology]]></category>

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		<description><![CDATA[Virtual Scylla created by Prof Robert Stone, Eugene Ch’ngIn 2006, researchers from the School of Engineering at the University of Birmingham took part in a new survey of Europe’s first artificial wreck, the Leander Class Frigate HMS Scylla, resting on the sea bed off Whitsand Bay near Plymouth. Prof. Bob Stone and Eugene Ch’ng joined [...]]]></description>
			<content:encoded><![CDATA[<p><div class="imagecaptioneasy imagecaptioneasy_top_ft size-full wp-image-47" style="auto;"><img class="alignleft size-full wp-image-47" title="Virtual Scylla created by Prof Robert Stone, " src="http://www.artchaology.com/wp-content/uploads/2009/01/virtualscylla.jpg" alt="Virtual Scylla created by Prof Robert Stone, Eugene Ch’ng" width="452" height="229" /><br style="clear:both" /><div style="margin:0px;max-width:452px;">Virtual Scylla created by Prof Robert Stone, Eugene Ch’ng</div></div>In 2006, researchers from the School of Engineering at the University of Birmingham took part in a new survey of Europe’s first artificial wreck, the Leander Class Frigate HMS Scylla, resting on the sea bed off Whitsand Bay near Plymouth. Prof. Bob Stone and Eugene Ch’ng joined forces with colleagues from the University of Plymouth, the National Marine Aquarium (NMA) and the Marine Biological Association (MBA). The group departed for the wreck site from Plymouth’s historic Barbican onboard the UK National, a boat skippered by Prof. Richard Linford, Head of the University of Plymouth’s Department of Communication &amp; Electronic Engineering (Prof. Stone is currently a Royal Academy of Engineering Visiting Professor in Integrated Systems Design within this Department).<br />
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On arrival at the wreck site, the NMA and MBA diving teams set to work collecting marine life samples and new photographic records from the reef. Over 140 marine species have been recorded to date, including spiny starfish, pouting (shoals of which showed up extremely well on the UK National’s echo sounder), queen scallops, sea squirts, various species of anemone and algae, mussels, starfish and sea urchins. Whilst this was underway, the Birmingham team helped with the deployment of the NMA’s VideoRay remotely operated vehicle (ROV). The ROV was used to gain access to areas of the ship where more detail was required for the ongoing construction of the virtual model, including the bridge, helicopter hangar and landing pad at the stern of the vessel. The ROV also captured an excellent video sequence of a cuttlefish, disturbed in the vicinity of the Scylla’s bow.<br />
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The opportunity was also taken to obtain digital images of the Whitsand Bay coastline. In due course these new images will be imported into the computer games engine technology being exploited for the Virtual Scylla research and will be used to add visual detail to a recent three-dimensional model of the area constructed using digital terrain mapping data and medium-resolution aerial photographs.</p>
<p>The evening following the visit to the Scylla site, Prof. Stone and Dr. Keith Hiscock (of the MBA) presented on their organisation’s projects at a special Scylla Month evening event at the NMA. Scylla Month has been designed to encourage divers to visit the wreck and help to generate as comprehensive a marine species catalogue as possible. All of these records, together with those collected on this recent successful visit will provide essential data for the University’s ongoing research into marine life simulation and virtual environments.<br />
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About Virtual Scylla</p>
<p>Our research plans aim to apply the research to the colonisation of artificial subsea reefs by marine life. In support of this, and in collaboration with the UK’s National Marine Aquarium (NMA), we are currently extending and modifying the SeederEngine research to provide predictive visualisations of what one particular reef might look like tens of years (and longer) into the future. It is our eventual aim to assess the impact of possible global climate changes on the sea and to model other factors, such as the effects of pollution or other short-term environmental variations. The project involves NMA subject matter experts, particularly in respect of the marine flora and fauna that will eventually inhabit the reef, their growth and reproduction patterns, their responses to subsea environmental changes (pollution, temperature, etc.). It will be possible to collect regular validational information from the reef over time (via subsea webcams or regular dives on the reef using remotely operated or manned submersibles).</p>
<p>Currently, an optimised low polygon 3D model of the Scylla has been created and algorithms are being developed from extensions of the SeederEngine to accommodate artificial marine life forms. At present, data is being gathered for an early investigation to visualise the outcome in a real-time virtual environment.</p>
<p>website: http://www.virtualscylla.org</p>
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